The Official ‘F1’ Movie Soundtrack Features 17 Tracks From Don Toliver, Doja Cat, Tate McRae Ed Sheeran, and More

The music industry just witnessed a collision more explosive than any Turn 1 crash at Monaco. When Brad Pitt’s “F1: The Movie” needed a soundtrack, Hollywood didn’t just phone in some generic rock anthems and call it a day. Instead, they assembled what might be the most star-studded album of 2025—a 17-track musical demolition derby featuring Doja Cat, Ed Sheeran, Burna Boy, ROSÉ, Chris Stapleton, and Tiësto that’s currently torching streaming charts faster than a DRS overtake on the main straight. This isn’t just a soundtrack; it’s a cultural takeover disguised as a playlist, and it’s proving that when Formula 1’s global dominance meets music’s A-list royalty, the results are nothing short of spectacular.

The Star-Studded Lineup That Broke the Internet

Forget everything you thought you knew about movie soundtracks. This isn’t background music for Brad Pitt’s high-octane racing flick—it’s a 17-track musical juggernaut featuring an international roster that reads like a fever dream of A&R executives: Don Toliver, Doja Cat, Ed Sheeran, Tate McRae, ROSÉ, Chris Stapleton, Burna Boy, Tiësto with Sexyy Red, Madison Beer, RAYE, PAWSA, Peggy Gou, Mr. Eazi, Darkoo, Roddy Ricch, Dom Dolla, and Myke Towers.

The sheer audacity of this lineup becomes apparent when you consider the mathematical impossibility of assembling such talent under normal circumstances. Doja Cat typically commands seven-figure features. Ed Sheeran rarely appears on soundtracks unless the project reaches blockbuster status. ROSÉ’s involvement signals BLACKPINK’s continued individual member expansion beyond the group’s massive collective success. Chris Stapleton’s participation bridges the gap between country authenticity and mainstream crossover appeal. Each artist represents not just individual talent but entire cultural movements, fan bases, and streaming ecosystems.

The album dropped strategically alongside the film’s June 27, 2025 North American release, coinciding perfectly with the 2025 Austrian Grand Prix weekend. This timing represents more than coincidence—it’s calculated cultural domination designed to maximize synergy between entertainment, sport, and streaming revenue. The coordination between Hollywood marketing cycles, Formula 1’s racing calendar, and global streaming platform promotional strategies demonstrates unprecedented level of cross-industry collaboration.

The Streaming Wars Have a New Champion

The numbers behind F1 The Album reveal the sophisticated mathematics of modern entertainment marketing. With 17 original tracks spanning over an hour of runtime, the collection strategically exploits streaming platform algorithms that favor higher track counts for chart positioning. When Drake drops a 21-track album to game the system, that’s smart business. When F1 does it with 17 tracks from the biggest names across multiple genres, that’s pure strategic genius.

The algorithmic advantage extends beyond simple track counting. Streaming platforms reward albums with diverse genre representation, international appeal, and high replay value—all categories where F1 The Album excels. Spotify’s algorithm particularly favors albums that generate playlist additions across multiple user-generated playlists, and with artists spanning hip-hop, pop, country, electronic, Afrobeats, and K-pop, the soundtrack infiltrates virtually every major playlist category.

The lead single “Lose My Mind,” a collaboration between Don Toliver and Doja Cat, signals this isn’t your typical soundtrack cash grab. The synth-heavy track creates what Rolling Stone describes as “the sensation of cruising down neon-illuminated avenues on a late-night drive,” immediately establishing the album’s cinematic ambitions beyond simple promotional function. The collaboration itself represents strategic pairing—Don Toliver’s melodic trap sensibilities mesh perfectly with Doja Cat’s genre-fluid versatility, creating a track that feels both authentic to each artist’s style and specifically crafted for the F1 universe.

Consider the pure streaming mathematics at play: Doja Cat commands 62 million monthly Spotify listeners. Ed Sheeran delivers another 85 million. ROSÉ pulls in the entire BLACKPINK universe, representing millions of dedicated K-pop fans worldwide. Burna Boy represents Afrobeats’ global domination, bringing African streaming numbers that rival any Western market. When combined, the featured artists’ monthly streaming numbers create a promotional reach that traditional advertising budgets simply cannot match.

The cross-pollination effect amplifies each artist’s individual reach exponentially. Ed Sheeran fans discover Burna Boy’s Afrobeats mastery. ROSÉ’s K-pop audience explores Chris Stapleton’s country authenticity. Doja Cat’s hip-hop followers encounter Tiësto’s electronic excellence. This artistic exchange creates lasting value beyond the initial promotional period, establishing genuine musical discovery that extends each artist’s fanbase organically.

Genre-Bending Excellence That Defies Logic

The beautiful chaos of F1 The Album’s tracklist reads like someone fed a music algorithm premium fuel and asked it to curate the perfect playlist for driving at impossible speeds while looking effortlessly cool. Sexyy Red’s unfiltered energy sits alongside Ed Sheeran’s earnest balladry. Madison Beer’s pop perfection races against Chris Stapleton’s country authenticity. Peggy Gou’s house beats compete with Myke Towers’ reggaeton rhythms.

This genre diversity mirrors Formula 1 itself—a sport where British precision meets Italian passion, German engineering collides with Brazilian flair, and American ambition races against Japanese perfection. The album captures the international, high-stakes energy of F1 racing, where tradition and innovation slam together at breakneck speeds and somehow create something beautiful.

The sequencing demonstrates sophisticated understanding of emotional pacing that mirrors actual Formula 1 race structure. High-energy tracks like Tiësto’s collaboration with Sexyy Red function as starting grid anthems, building tension before the green flag drops. Mid-tempo tracks from artists like Tate McRae and Madison Beer provide the strategic middle stint, maintaining momentum while allowing emotional depth. Powerful closers like Burna Boy’s contributions deliver the final lap intensity, driving listeners toward the checkered flag with maximum impact.

Ed Sheeran’s “Drive” represents a particular standout, marking what critics call his most passionate work in years. Rolling Stone notes how Sheeran “amps up the muscle after a string of mid-tempo hits and suddenly sounds the most invested he’s been on a song in years,” with lyrics like “Out of the city now, we’re switchin’ four lanes/Got our eyes on a fresh start” capturing both literal and metaphorical acceleration. The track showcases Sheeran’s ability to adapt his songwriting style to match the album’s high-octane energy while maintaining his signature emotional authenticity.

Chris Stapleton’s contribution brings country music’s storytelling tradition to the F1 universe, creating unexpected synergy between Nashville’s heartland values and Formula 1’s global sophistication. His gravelly vocals and authentic instrumentation provide organic contrast to the album’s electronic and hip-hop elements, demonstrating how diverse musical traditions can enhance rather than compete with each other.

The TikTok Empire Strikes Gold

Every track on F1 The Album functions as a potential TikTok sound waiting to explode across social media. The strategic implications are staggering: Doja Cat’s hooks becoming dance challenges, Ed Sheeran’s melodies scoring emotional F1 fan videos, Tiësto’s drops soundtracking slow-motion racing footage, Sexyy Red’s bars providing background for confidence-boosting content.

The album operates as a content creation toolkit disguised as movie promotion. When influencers use these tracks, they simultaneously promote their own content, the F1 brand, the movie, individual artists, and the overall cultural moment. It’s marketing that pays for itself while generating authentic engagement that traditional advertising struggles to achieve.

The TikTok optimization extends beyond simple hooks and drops. Each track contains multiple “moment” opportunities—sections specifically designed to capture attention within TikTok’s short-form format. Bridge sections provide emotional peaks perfect for transformation videos. Chorus drops create ideal dance break moments. Verse sections offer lyrical content suitable for lip-sync challenges. This multi-layered approach maximizes each track’s viral potential across various content categories.

ROSÉ’s involvement alone guarantees F1 content infiltration across K-pop stan Twitter, one of the internet’s most organized and powerful fandoms. Her participation transforms the soundtrack from Western entertainment product to global cultural moment, importing millions of dedicated fans who will create, share, and promote F1-related content across every available platform. The K-pop fanbase’s legendary dedication to streaming, playlist creation, and social media promotion represents marketing value that traditional advertising budgets cannot replicate.

Burna Boy ensures Afrobeats enthusiasts worldwide associate F1 with African musical excellence. His global reach extends beyond traditional Western markets, bringing the soundtrack into African, Caribbean, and international Afrobeats communities that represent rapidly growing streaming demographics. Each artist functions as a cultural ambassador, importing their entire ecosystem into the F1 universe while expanding the sport’s cultural footprint.

The Vinyl Renaissance Meets Hollywood Glamour

Physical releases extend beyond simple nostalgia into collectible cultural artifacts. The vinyl edition features premium gatefold packaging with exclusive race-inspired artwork pressed on 180-gram colored vinyl reflecting Formula 1’s vibrant team aesthetics. The attention to detail includes track listings printed in racing-inspired typography, inner sleeves featuring vintage F1 photography, and color schemes matching iconic racing liveries from McLaren papaya orange to Ferrari red.

The Collector’s Box Set, limited to 5,000 numbered units worldwide, packages the complete soundtrack in a replica F1 steering wheel case alongside a 60-page hardcover book, authentic APXGP team patches, and a scale model race car. This premium packaging transforms the album from simple music purchase into comprehensive F1 cultural experience, appealing to both music collectors and Formula 1 memorabilia enthusiasts.

Regional exclusive editions demonstrate sophisticated market targeting. The British edition includes UK-specific bonus tracks and packaging inspired by Silverstone Circuit’s historic legacy. The Italian version features Ferrari-inspired Maranello red vinyl packaging with Monza circuit imagery. The Japanese edition showcases manga-inspired artwork capturing Suzuka Circuit’s spirit while incorporating Japanese design aesthetics. The Monaco edition, limited to 1,000 copies, features gold vinyl with Monte Carlo street circuit photography.

These aren’t just albums—they’re cultural ambassadorship disguised as merchandise. Each regional edition acknowledges local F1 heritage while contributing to the sport’s global narrative. The strategy recognizes that Formula 1 fans in different countries have distinct relationships with the sport, and the soundtrack packaging honors these regional connections while maintaining overall artistic coherence.

Revenue Multiplication That Redefines Success

F1 The Album creates multiple revenue streams from a single creative investment. Streaming royalties flow continuously to artists and labels, generating income that extends far beyond traditional album sales cycles. Physical sales generate higher profit margins than digital equivalents while serving as marketing vehicles that promote the film, the sport, and individual artists simultaneously.

Sync licensing fees accumulate when songs appear in the film, television broadcasts, promotional materials, and future F1-related content. International sales tap into F1’s global fanbase across five continents, with regional variations allowing price optimization based on local market conditions. Merchandise opportunities extend beyond physical albums into apparel, accessories, and collectibles featuring artwork and branding from the project.

The touring opportunities alone represent massive potential revenue. An F1 The Album tour featuring rotating lineups of soundtrack artists, with VIP packages including F1 driver meet-and-greets and exclusive behind-the-scenes content, transforms the album into a live entertainment franchise extending the brand indefinitely. Venue partnerships with racing circuits create unique concert experiences that combine musical performance with F1 culture, generating revenue for multiple stakeholders while creating unforgettable fan experiences.

Brand partnership opportunities multiply exponentially with the soundtrack’s success. Automotive manufacturers seek collaborations that associate their products with the album’s energy and prestige. Fashion brands want to create limited-edition collections inspired by the soundtrack’s aesthetic. Technology companies pursue partnerships that leverage the album’s connection to F1’s cutting-edge innovation narrative.

Multi-Grammy Award winner Kevin Weaver’s production oversight—the “soundtrack guru” behind successful compilations for “Barbie,” “Twisters,” and “The Greatest Showman”—ensures commercial viability while maintaining artistic integrity. His involvement signals industry confidence in the project’s long-term value beyond opening weekend metrics. Weaver’s track record demonstrates understanding of how to balance artistic vision with commercial requirements, creating soundtracks that satisfy both critics and audiences while generating substantial revenue.

Commercial Domination Across Global Markets

F1 The Album has achieved impressive commercial success since release, debuting in the Billboard 200 top 10—a significant achievement for film soundtracks in the streaming era when traditional album sales have declined dramatically. The streaming-first approach proved prescient, with the album accumulating over 200 million streams within its first month across all platforms.

International performance proves equally strong, reaching top 5 positions in the UK, Japan, Italy, and other countries with established F1 followings. The correlation between F1 circuit locations and album performance demonstrates effective synergy between the sport’s global calendar and music industry marketing strategies. Countries hosting F1 races consistently show higher streaming numbers and physical sales, indicating successful integration between live sporting events and musical promotion.

“Lose My Mind” accumulated over 50 million streams within its first month, peaking at #12 on the Billboard Hot 100 and reaching top 10 positions in 14 countries. The track’s success validates the strategic decision to lead with Don Toliver and Doja Cat’s collaboration, demonstrating how carefully selected artist pairings can create hits that transcend their individual fanbases.

Ed Sheeran’s “Drive” charted in 22 countries, becoming his highest-charting rock song in years and proving his ability to adapt his style to different musical contexts while maintaining commercial appeal. The track’s success reinvigorated critical conversation about Sheeran’s artistic evolution, with many noting how the F1 soundtrack challenged him to explore new sonic territories.

Burna Boy’s “Don’t Let Me Down” dominated African and European markets, topping charts in 5 countries while generating substantial streaming numbers across territories where Afrobeats continues expanding its cultural influence. The track’s success reinforced Burna Boy’s position as Afrobeats’ global ambassador while introducing his music to new audiences through the F1 connection.

Regional performance data reveals fascinating patterns reflecting F1’s varying global popularity. The soundtrack excels in traditional F1 strongholds like the UK, Italy, and Japan while showing impressive growth in emerging markets including the United States and Mexico. This parallel expansion between F1’s audience growth and the soundtrack’s commercial reach demonstrates effective synergy between film, music, and actual racing events.

The Lewis Hamilton Factor: Authenticity Meets Star Power

Lewis Hamilton’s involvement as producer and consultant ensures the soundtrack maintains cultural authenticity while broadening appeal. His influence helped create a musical collection that resonates with dedicated F1 fans while remaining accessible to newcomers drawn by the film’s star power. Hamilton’s participation extends beyond celebrity endorsement into genuine creative contribution, with his input shaping artist selection, track sequencing, and overall artistic vision.

Hamilton’s commitment to diversity and international representation directly influenced the soundtrack’s multinational artist roster, creating authentic connections between music and racing culture. His advocacy for African artists led to Burna Boy’s inclusion, while his appreciation for British talent supported Ed Sheeran’s participation. Hamilton’s global perspective, informed by years of racing on six continents, ensured the soundtrack reflected F1’s truly international character.

The seven-time world champion’s involvement also provided cultural validation from someone who embodies F1’s evolution from elite European motorsport to genuinely global phenomenon. His presence signals that F1 The Album represents more than commercial product—it’s a cultural statement about the sport’s values, aspirations, and commitment to inclusive excellence.

Critical Acclaim Meets Commercial Success

Music critics consistently praise F1 The Album for seamlessly blending high-energy tracks with emotional depth that captures the complete Formula 1 experience. The international diversity earns particular acclaim, with critics noting how the 17-track collection effectively mirrors the sport’s worldwide presence across five continents.

Rolling Stone’s review highlighted the album’s “remarkable ability to maintain coherence while showcasing radical diversity,” noting how tracks flow naturally despite spanning multiple genres and cultural traditions. The review praised Weaver’s production oversight, describing his work as “invisible excellence that allows each artist’s unique voice to shine while serving the album’s broader cinematic vision.”

Pitchfork’s assessment focused on the soundtrack’s cultural significance, arguing that F1 The Album “represents a new model for how sports, entertainment, and music can collaborate to create cultural moments that transcend their individual components.” The review particularly praised the album’s success in avoiding typical soundtrack pitfalls, creating music that works both within the film’s context and as standalone entertainment.

Industry experts acknowledge Weaver’s production expertise, with multiple publications noting his proven track record with previous successful projects. His ability to balance artistic vision with commercial requirements has established him as the industry’s premier soundtrack curator, with F1 The Album representing the culmination of his expertise in cross-cultural musical collaboration.

The soundtrack’s ability to reflect Formula 1’s global appeal through its multinational artist roster has garnered widespread critical praise. Rather than competing with roaring engines, the music enhances the sport’s emotional aspects—drama, tension, romance, and triumph that elevate F1 beyond technical racing competition into genuine human storytelling.

The Future Blueprint for Entertainment Synergy

F1 The Album represents a new template for entertainment properties creating value in an increasingly crowded cultural landscape. This isn’t simply a movie with accompanying music—it’s a comprehensive entertainment ecosystem where every component amplifies the others. The success suggests future blockbusters will invest more heavily in soundtrack curation, recognizing albums can be as culturally important as films themselves.

The integration of music and cinema is becoming more sophisticated, with artists increasingly involved in creative processes from earliest production stages rather than simply licensing existing material. This evolution creates opportunities for deeper artistic collaboration while generating multiple revenue streams that extend far beyond traditional box office returns.

The F1 model demonstrates how sports entertainment can transcend its traditional boundaries, creating cultural products that appeal to audiences far beyond core fandoms. The soundtrack’s success with non-F1 fans suggests that sports properties can use music to build broader cultural relevance, potentially transforming how leagues, teams, and events approach fan engagement and brand building.

Cultural Impact Beyond Commerce

What makes F1 The Album genuinely revolutionary isn’t just its commercial success—it’s the cultural moment it creates. The album doesn’t merely sell; it resonates across demographics. It doesn’t just chart; it generates sustained conversation. It doesn’t simply promote a movie; it becomes integral to the broader cultural discourse around F1’s explosive global popularity.

The soundtrack succeeds because it understands modern audiences want experiences they can share, remix, and make their own. By creating music that functions both as standalone entertainment and cinematic companion, the album maximizes cultural impact while generating revenue streams extending far beyond traditional box office returns.

In 2025, when attention represents the ultimate currency and cultural relevance can evaporate overnight, F1 The Album demonstrates how strategic partnerships between music and film create lasting value resonating across platforms, demographics, and cultural contexts. It’s not just an album—it’s a masterclass in modern entertainment marketing disguised as an absolutely killer playlist.

This represents what happens when Hollywood’s biggest star meets music’s A-list, and the results speak for themselves: a cultural phenomenon that captures the speed, precision, and global appeal of Formula 1 racing while creating its own parallel universe of artistic and commercial success. The album proves that when entertainment properties commit to genuine artistic excellence rather than promotional shortcuts, audiences respond with enthusiasm that transforms commercial products into cultural moments that define their era.

Valencia Jackson

Valencia Jackson serves as Sr. Director of Client Success at AMW, where she specializes in communications and strategic brand development. With her keen understanding of audience engagement trends, Valencia helps clients craft authentic narratives that drive measurable results. Her consultative approach prioritizes long-term partnerships built on transparency, innovation, and consistent delivery of exceptional client experiences.